When I first saw the trailer for The Last Black Man in
San Francisco I knew it was a movie I had to see. The trailer itself
suggested great cinematography and a unique story. By the time I looked for it
again at my local cinema it was gone. I subsequently learned it was critically
acclaimed but did not make much at the box office. I was very pleased when I
was working out two nights ago and it popped up as a streaming choice on
Amazon. It turns out that this is an outstanding independent film and I will
probably come back to it.
I have not reviewed a film on this blog for some time but
will include the customary spoiler alert. Some people just prefer a global
recommendation rather than details. At this point I am going to proceed with
some details. This film is primarily
about the relationship between two young black men - Jimmie Fails and Montgomery
“Mont” Allen. Over the course of the film we learn that they are best friends. We also learn that they are both staying with
Mont’s blind grandfather. The conditions are less than optimal. We see Jimmie
sleeping on the floor of Mont’s room. We see all three men watching television
and Mont providing a running commentary for his grandfather sometimes to Jimmie’s
exasperation. We learn that Mont is an aspiring playwright and artist. We catch
glimpses of his work and his grandfather is very encouraging.
In the opening scene Jimmie and Mont skateboard to a very
large Victorian house in another part of San Francisco. We learn that Jimmie
used to live in this house and that he said his grandfather built it in 1946.
The opening scene at the house he is painting some windows but there is a
couple in the house and the woman of that couple is very angry with him for not
staying away from the house. Jimmy and Mont talk about maintaining various
aspects of the house. At one point the couple moves out and they move in. They
go so far as to get furniture from Jimmie’s aunt’s home and move that into the
place. There is not a very clear plan for possession of the house. They
eventually have some interactions with a realtor, a banker, and a county
official. None of those interactions are productive in terms of helping them
purchase or acquire rights to stay in the home. Jimmie eventually tells Mont
that his plan is to stay there no matter what. We eventually learn that Jimmie’s
grandfather really did not build the house and that it was constructed in the
late 19th century.
As Jimmie and Mont travel between Grandpa Allen’s home in
the mansion they regularly encounter a group of young black men out of the
street. One of them was a tall young man
named Kofi who Jimmie knew from the year he spent in a group home. They were
both skateboarders. Jimmie thought that
Kofi was quite good and asked him if he was still skateboarding. Kofi said that
he was not. The skateboarding theme was important because Jimmie appeared older
than most skateboarders and as his father put it “dressed like a white boy” in
a red flannel shirt and khaki pants. There was a lyrical scene when Jimmie was
skating down the San Francisco hill to Jefferson Airplane - until he wiped out
three quarters of the way down the hill. I took the skateboarding as a symbol of Jimmie being stuck in an earlier time and what he has to do with the skateboard in order to move on - confirms this later in the film.
Kofi was the only young man invited to the Victorian house
by Jimmie and Mont. When he was there, they all seemed to enjoy themselves.
That was in contrast to the confrontations that Jimmie and Mont had with the young
group of men in general. They had very
different styles of interacting with these young men. Mont was
nonconfrontational and seemed to take a didactic role with them in that in one
scene was described as “directing”. Jimmie was more confrontational and at one
point asked Mont about his style of interacting. Mont told him that by avoiding
confrontation he was able to appreciate these other men for who they really
were.
The dynamics between Mont, Jimmie, and this young group of
men was one of the most interesting aspects of this film. Jimmie characterized
this group as “talking shit”. This is a
colloquial expression for young men engaging in interactions that could be
considered sarcastic or overtly mocking. In some cases physical threats are
feigned and there is always some risk of bullying or actual physical
confrontation. This type of behavior in young men is common and as far as I know
occurs in all cultures. A common way of dealing with it is to just avoid it.
Mont and Jimmie do not avoid it. Mont
continues with what I saw as an empathic but at times eccentric approach to the
mocking. Jimmie tends to deal with it in a more straightforward way by making
similar statements or feigning physical aggression. The risk of “talking shit” is
highlighted when Jimmie and Mont learned that their friend Kofi was shot and
killed by a gang in one of these confrontations.
Jimmie and Mont learned about Kofi’s death from the group
of young men they encounter. Jimmie becomes very confrontational trying to
learn about what actually happened and it appears that he is at risk for a
physical confrontation with one of the men. Instead that man becomes very
tearful, start sobbing, and embraces Jimmie in one of the more emotional
scenes of the film.
Kofi’s death was the subject of a one-man play put on by
Mont in the Victorian house. In the play he confronted the small audience of local people and what
they really knew about Kofi. During the exercise he elicits a number of superficial observations from the audience. He asked Jimmie for
comments and he described the positive and negative aspects of his relationship
with Kofi concluding “people aren’t one thing”. From there and in the same
setting Mont confronts Jimmie about the fact that his grandfather did not build
the house. Jimmie gets angry and leaves and all of the theatergoers file out
after that.
Jimmie eventually accepts the reality that he will never be
able to stay at the Victorian house that his family used to live in. He grows
more uneasy staying with Mont and his grandfather. He leaves one night, with a note behind to
Mont thanking him for being his best friend.
That basic story line is set in what I would describe as a
separate visual story. That story has elements of how people have been
misplaced in San Francisco by the current housing crisis, how that toll has
fallen unevenly and unfairly on people who are not making high incomes, and how people who
show up for a job in that area might not have the same appreciation for the area as
long-term residents do. There is the clear message that the plight of low income people is being ignored by responsible officials to the point that their health is endangered. At one point Jimmie asks the rhetorical question about why a millionaire is more entitled to stay in his old family home than he is. From the visual standpoint the story is brilliantly
told.
On an interpersonal level, this is a story about
relationships between men. The main characters Mont and Jimmie are interesting
and likable. I found myself rooting for them and hoping that nothing bad would
happen to them. In the final scene Jimmie is rowing a small boat in Pacific
swells by the Golden Gate Bridge. He is
not in any danger but you wonder where he is headed.
And you wish him well.
George Dawson, MD, DFAPA
Graphics Credit:
Shutterstock per their standard agreement. "Painted ladies from Alamo square park over San Francisco skyline during the day." By Sergey Novikov.
No comments:
Post a Comment